Unlimited Space: White Cyc

By Phil Guye

White cyc is a stage background used to create the illusion of limitless space or sky. It is excellent for video and still photography allowing CGI effects to be added to the image. The main benefit of a white filming stage is the capability of making the background virtually disappear making all sorts of possibilities for lighting, and allows for the shutter-bug's subject being filmed to be center of stage.

Today's technology makes it possible for a line of white cyclorama products to be developed to meet the increasing demand for white cyc backgrounds in a large number of environments and applications. This makes it possible for a photographer to have his very own white stage in his very own studio without the requirement for leasing a studio with a white stage. The concepts of easy assemble and smaller white stage backgrounds came from the founder of Pro Cyc name Fritz. Fritz had his dream white studio built in Portland Oregon. The investment of cash and time were great and construction employees labored for weeks building the studio out of plywood and drywall. During construction Fritz kept saying, "There needs to be a better way to build a white cyclorama studio?"

Fritz was given his chance to test out his idea while building his second white stage background in Portland after his first white cyc background suffered water damage while filming a special effect. Fritz's 2nd white cyc studio is still being use in Portland Oregon today and is being leased out to customers like: Freightliner, Nike, Adidas, and Steinway among many others using the versatile studio. The studio has been repainted about 400 times since opening, but the walls still remain smooth as the first day they were installed.

The revolutionary patented molds developed by Fritz makes his company Pro Cyc one of the world's leading makers of modular white cyc background systems. Pro Cyc's research and development is consistently developing new ideas and products to meet the continually changing needs and demands of today's media and high-tech industries.

Pro Cyc works closely with their buyers ensuring they're achieving the optimum solution for their wants. Pro Cyc's engineering can custom design white cyc sets to meet the specialized and demanding wishes of their customers. In 2007 pro Cyc enter into the personal studio market with a fresh product line reducing cyc technology down to the scale of a desktop, which smashed the barrier of catalogue photography. - 18424

About the Author:

There are so many other sites giving different forms of advice on how to use White Cyc but a lot of them are not very detailed or precise. Before following these, be sure to check my own articles and reviews on White Cyc and White Cyc Rentals, You can also reach me at 1-323-851-3825 or phillipguy@hotmail.com

Green Screen LA Technology

By Phillip Guye

Were you ever curious about how special effects in movies are made? How do filmmakers recreate the magical arena of Hogwarts or conjure a pre-historic earth? How do filmmakers mix CGI with real life action shots? All these movie wonders have been made feasible by the green screen. It is also known as chroma key, blue screen, and color separation overlay ( CSO ). Without the green screen LA technology, which is utilized in studios all around the great town of Los Angeles ( Chroma Key technology ) many remarkable films would not be made. Moviegoers will be stuck with dull pictures with poor, little, or no visible effects at all . Without the chroma key, many probabilities in movie-making would still be in the dreams and imaginations of filmmakers.

These screens works by putting 2 pictures together. The solid background color is replaced by a precise background that'll be seen in the final cut of the motion picture. Way back then, in the 1930's, blue was the color of choice among filmmakers. After this, it was also used in numerous Technicolor films. One of the first pictures that employed the chroma key was the screen adaptation of Ernest Hemingway's popular novel, "The Old Man and the Sea." And the rest is history. More films were made with the aid of chroma key technology. It finally spawned many cinematic inventions that made film making what it is in the modern day. For example, the Chroma Key screen is no longer used only for changing backgrounds. Scenes are shot behind the screen so it would be easy to add visible effects such as CGI.

For instance, in the film Lord of the Rings, the actor who played Gollum wore a body suit that was an identical color of the Chroma Key screen. Sensors were attached to the suit to maintain a record of his movements. The CGI rendering of Gollum's character is then put over the green suit, and the sensors make it appear like a real live creature is moving. Then, an honest to goodness background is added to replace the green screen. All in all, the Lord of the Rings universe was created by CGI and the green screen!

The utilization of the screen became popular when advanced film making appliances were made and developed. Instead of blue, green became the new color of choice as it is way easier to manipulate. It doesn't need complicated lighting, it creates less sound, and it makes clear lines which makes it easier to work with in post-production. This is the reason why today, green screen LA technology is the favourite tool of many filmmakers and is employed in studios all across the city of los angeles.

Although big flick studios and production houses are famous for making use of green screen LA technology, it is actually simpler to access than people think it is. Even filmmakers on a budget can make their own screens. With the right materials, creativeness, resourcefulness, and guts, any one who needs to make a decent film can make a DIY green screen. Now, big budget films can now be copied by anyone who has a creative mind. Any studio materials or rentals you need can be easily found in Los Angeles. - 18424

About the Author:

There are so many other sites offering different forms of advice on how to use green screen but a lot of them are not very detailed or precise. Before following these, be sure to check my own articles and reviews on Green Screen LA and Green Screen, additionally, you can reach me at phillipguy@hotmail.com or 1-323-851-3825

Green Screen LA - Unlimited Potential

By Phillip Guye

Many films that are filmed in los angeles would not be possible without assistance from the green screen. How else would Godzilla stomp through New York? How could imaginary universes such as the one in Star Trek be possible? How could a motion picture look like a graphic novel so accurately? Despite how pretty a city LA is, L.A. Filmmakers can't just create settings that look as if they came straight from comic books or the minds of the most imaginative film makers in just a snap of a finger. In short , without the green screen LA ( a term coined from the prevalent use of these sort of screens in LA studios ) technology that many studios in los angeles have adopted as the only way to develop special effects, our movie-watching experiences will have a large amount of limits. Thankfully , LA film makers have actually discovered the joys of these screens and it's technology is here to stay.

The chroma key methodology is all about mixing 2 different pictures with each other. The foreground is retained while the background is replaced with another image. This is exactly why the background used must be a solid color. It makes it easy for L.A. Film makers and visual effects technicians to replace it with a different picture. Today, the most popular background color employed in the numerous studios scattered around L. A. is green. This is because light is attuned to this color, so meticulous lighting isn't obligatory anymore. It also produces less noise and clean lines.

A good example that makes use of the screen is the up to date smash flick "300." Shot wholly in a motion picture studio in L. A. , the film relies heavily on visible effects to recreate the atmosphere and feel of Sparta right in the middle of L.A. Another thing the filmmakers considered is the look of the film. It had to are like the exact graphic novel. This wouldn't be possible without the screen. In this movie, the actors were shot in front of the green screen. Finishing touches were added in post production. The background images used were all created with aid from assorted special effects like CGI. The film looked like a cohesive whole, even though layers and layers of elements were used to come up with the final product. This would not be possible without the this type of technology that L.A. Film makers have really harnessed to it's maximum capacity.

For green screen LA technology to work, there are some particularly vital factors to be considered. First, though in depth lighting isn't needed, there is not any excuse to use unacceptable lighting. Only the best cameras and lights should be used when filming using a screen. Also, it is essential to avoid casting shadows on the screen. This will be a blemish that will be tricky to retouch. Remember that the employment of a green screen is to have nominal work. Not using the screen the right way will definitely defeat the aim of ever using it.

The green screen is a versatile tool. For filmmakers in los angeles and all over the globe, it aids them to create or even recreate the most engaging settings right in the middle of L.A. It is also a very important tool for photographers as it permits them to make more refinements to their footage. Green screen LA technology is definitely a terribly handy tool in the flick industry. It makes the very unlikely possible and brings what we will be able to only dare to imagine to life. Green screen rentals and materials can be discovered all around the city of los angeles. - 18424

About the Author:

There are so many other websites giving various forms of advice on how to use green screen but a lot of them are not very specific or precise. Before following these, be sure to check my own articles and reviews on Green Screen LA and Green Screen, You can also reach me at 1-323-851-3825 or phillipguy@hotmail.com

Green Screen Tips - Finding the Affordable Type

By Phillip Guye

It is always advisable to look for Green Screen Tips when it comes to securing a place in the flick industry. The issue of affordability comes into action every time you want to secure a top quality screen for your film shooting. Buying a green screen or ( chroma key screen ) can be expensive and building them on your own can be knackering. So, how do you establish the way to cheap screens? This is the topic debated in this post.

There is one thing that you should first consider when employing the utilization of chroma key screens. Chroma key screens are usually available in studios where the particular film shooting happens. This is where you've got to pat lease costs that they'd turn out to be dear. Therefore, you ought to have great knowledge and use good Green Screen Tips so you can secure the screens at a great price . The first green screen tips is to think about the studio. Many studios had different developments in the bizz. This is the reason why their prices will alter when it comes to renting chroma key screens from them. It's also always recommended to consider the studio prices. Compare them thoroughly so that you get the best screen at an affordable price.

The second green screen tips is the element of going for less popular studios. It is mostly very pricey to secure services at a well known studio. These studios have just established a name for themselves. Therefore, they already have a high competition of folks seeking their services in film shooting. As a consequence, you must gamble with the less well-liked studios. They also have chroma key screens that you may use in shooting your film. However, they are massively cheaper because they're simply attempting to make a name for themselves and make people accept that they can create quality productions. It is therefore wise to search for such studios and milk the lower costs.

The third of the green screen tips is using net services to find top quality screens at cheap studios. This is a good way to lease chroma key screens because internet sites have an opportunity to supply a discount. You can find the most acceptable deals online for your video production, and searching online for rentals should definitely not be discounted. There are so many sites that you are bound to discover a good offer. You just need a P. C. and a network connection!

What you've got to be certain of is that the quality of the chroma key technology in your film production is always high whatever the affordability. Thus, always keep the Green Screen Tips in mind so you are able to make a great production at affordable costs. - 18424

About the Author:

There are a lot of other sites giving various forms of advice on how to use green screen but most of them are not very specific or concise. Before following these, be sure to check my own articles and reviews on Green Screen Tips and Green Screen, additionally, you can reach me at phillipguy@hotmail.com or 1-323-851-3825

Gibson Les Paul Standard Review - Are the New Changes Worth It?

By R. S. Rasnick

The Gibson Les Paul is a part of music history, to say the least. Ever since the 1950's, the Les Paul has been well-known for its distinctive shape and the strong, thick sound. Through the years, however, several particulars (from the neck specifications to the pickups) have varied.

Only a couple of years ago, Gibson presented a number of alterations in the best-selling Les Paul Standard series. Some of these revisions have been well-received, others not so much. So, what has changed, exactly?

Here's a summation on the changes Gibson implemented. The new Les Paul Standard now includes Strap Locks (Dunlop), chambered body, Grover Locking Tuners, TonePros bridge/tailpiece, Neutrick output jack, and a setup via Plek. If you're familiar with Les Pauls, you'll immediately observe the lighter weight, due to the chambered body.

We didn't discover any deficiency in tone due to the chambered body, and played acoustically, the Les Paul Standard had a well-balanced, deep tone. If you've ever gigged with a Les Paul for any extended period of time, you'll treasure the lighter weight.

Usually, I swap out a stock tune-o-matic bridge with a TonePro locking bridge, so it was nice to find that as a standard option here. We were also agreeably surprised with the stock setup, owing to the Plek machine setup, we imagine.

Granted, a minor truss rod adjustment was essential, but that's usually the case when you receive a guitar via UPS. Out of the box, the Gibson was pretty much gig-ready, a testimony to both the Plek'd setup as well as the TonePros hardware.

The finish on the revised Standard is as fantastic as ever. We reviewed a Heritage Cherry Sunburst finish that had just a gorgeous flame. We found no blemishes in either finish or fit, and the fret dressing and setup was as nice as we've ever seen from a production guitar. Gibson also opted to exclude the pickguard from this model, though you could easily install one if you miss it. The pickguard is included, however.

For the revised Standard, Gibson chose to incorporate an asymmetrical neck profile, and I applaud their choice. The whole point is to have a thicker bass side with a slightly thinner treble side, and the playability is greatly improved with this profile design.

Think of it as the best of a 50's and 60's profile in one neck design. The fretwork and factory setup were the nicest we'd ever seen from an out-of-the-box Gibson.

It's hard for us not to think of a Les Paul without thinking of the sound of a Les Paul cranked up through a Marshall, so we ran the Gibson through a reissue Marshall JCM800 half-stack. We liked what we heard, though you do need to know that the chambered body gives the instrument something of a ES-335 sound when cranked. Think old Clapton.

The Burstbucker pickups seemed to be a pretty good fit, since they are aggressive and dark by nature. There are definitely some definitive Les Paul tones to be found here, though the chambered body/Burstbucker combination has its own special flavor. To each his own. We liked them.

For all the things we liked, there were still various changes that we wish hadn't been enacted by Gibson. That includes the locking Neutrik jack. Though Neutrik jacks are very high quality, we just didn't like not being able to pull the cord out instantly.

Same goes for the PCB mounted volume and tone pots. In fact, all pots, the pickups, the selector switch, and the jack are all coupled to a main PCB board via pluggable connectors. While it's cutting-edge in a way, it could also greatly hinder switching a pot or swapping pickups. We were left scratching our heads on this one.

Still, these concerns are modest. Overall, the new Gibson Les Paul Standard is a outstanding guitar in many ways, and we sense the spirit of classic Les Pauls here. Gibson also now makes a "Les Paul Traditional" that might appeal to people who want a more orthodox Les Paul. Obviously, Gibson has something for everyone in their Les Paul series. - 18424

About the Author:

If you are searching for the absolute lowest price on a used or new Gibson Les Paul Standard, then you need to visit Ray's Guitar Shop, which offers the best prices on all used and new guitars. It doesn't matter if you're searching for a Fender Telecaster, an Epiphone Casino, or a PRS McCarty, Ray's Guitar Shop has what you're looking for!