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Sunday, January 31, 2010

Effects Pedals - Are They Worth the Trouble?

By R. S. Rasnick

Guitar effects pedals (or "stompboxes") have been a backbone in guitarists' sound-palettes since the early 1960's when engineer Roger Mayer is purported to have built the first guitar effects pedals, the "fuzz" pedal (the precurser of the modern overdrive and distortion pedal) and the wah-pedal.

Mayer created pedals that were used by the likes of legendary rockers Jeff Beck, Jimi Hendrix, and Jimmy Page (for whom Mayer, his friend, reportedly created the first pedal in 1963 or 1964). Today, numerous effects are widely used by electric guitar players.

Effects pedals are used to give the guitar player more tonal colors or, that is, an expansion of timbre on his instrument's palette.

It's possible to use an amplifier's settings to create these distinct tonal colors, too, but the amplifier is limited to what effects it can give, plus its settings would have to be changed only between songs, whereas guitar players oftentimes want to vary tonality and color in the midst of playing a single song, and often many times over.

Not unlike the electric guitar and amplifier itself, effects pedals contribute to guitarists having a broad range of tonal expression.

Today, even some acoustic guitar players and classical guitar players use effects pedals although the distortion and wah pedals used by electric guitar players aren't usually part of their tonal palette.

After the initial popularity of guitar effects pedals, manufacturers created rack-mounted gear that was either aimed at guitarists or widely used by them. Companies such as Yamaha and Eventide made products that were often found in the racks of famous guitarists, particularly in the 1980's.

Since rack gear requires a more advanced and time-consuming approach (not to mention considerably more money) than pedals, most guitar players choose effects pedals for their ease and tweakability.

So, with their effects usually mounted on pedalboards (a way to transport and store effects pedals), electric guitar players have only to "stomp" on the pedal box (hence the name "stompbox") to instantly switch on or switch off an effect.

Volume and Wah pedals are usually mounted in such a way that facilitates their usage, since those pedals have to be "rocked" back and forth to affect their sound.

For ease of use, most (if not all) effects pedals can be turned on or off with a simple step of the toe, which can be useful in many musical situations. For example, if one wanted to switch from a heavily distorted tone to a clean tone speedily and easily, in order to have distinct tones for distinct sections of the song, it's easy to do so. Another quick motion and the distorted tone returns. Easy!

Guitar Players often spend a great deal of time fine-tuning their effects, amps, and guitars just to get the "perfect" sound that they've been looking for.

Common effects devices include distortion, overdrive, chorus, flanger, echo, delay, vibrato, tremolo, flanging, and pitch-shifting, just to name a few. These effects can have drastic changes on a guitarist's sound.

So if you are a developing electric guitar player who wants to explore new sonic landscapes, check out some guitar effects pedals today! - 18424

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