Sinatra Swings To A Bossa Nova Beat
Frank Sinatra is often dismissed as a mere 'pop' singer and critically diminished relative to his contemporaries. He's often accused of being formulaic and repetitive and not afforded the proper respect for his vocal talent. While Sinatra certainly knew what worked for him, and what kind of songs and arrangements he liked, the assertion that he didn't have the vocal 'chops' is patently unfair. Perhaps the finest example of his vocal excellence is his work with Brazilian guitarist Antonio Carlos Jobim.
Jobim is considered the founding father of Bossa Nova, and certainly deserves a bulk of the credit for popularizing the genre in North America. His collaboration with Sinatra on a samba tinged album Francis Albert Sinatra and Antonio Carlos Jobim was a critical and commerical success. Sinatra had the highest respect for Jobim as an artist and liked him as a friend. He would try to work out the logistics for the two to record together at several points in his career, but it never came to pass.
"Wave", written by Jobim and arranged by Eumir Deodato, is arguably the best of all of the Sinatra/Jobim collaborations. It features some great singing by Sinatra, including perhaps the lowest notes ever recorded by "The Voice". Years later, during his periods of 'retirement' it is said that Sinatra would listen to "Wave" just to hear how good he sounds hitting the bass notes.
This song originally intended as the opening track of a second volume of Sinatra/Jobim collaborations, but it was never released as such. The story that has circulated over the years is that the Sinatra/Jobim album put on the back burner so that Reprise could release the concept album "Watertown" instead. As an commercial decision, it's tough to fathom the rationale if this is the case. "Watertown" sold fewer copies than any other Sinatra release on Reprise. Another story is that Sinatra himself nixed the release because he hated the cover art which featured the 'King of Swingers' wearing a windbreaker and standing in front of a Greyhound bus. Hard to blame him for disliking that image if this version of the story is true.
"Wave", along with the majority of the songs intended for the "Sinatra/Jobim" album finally surfaced on "Sinatra and Company" in 1970. The "b" side is some of Sinatra's ill-fated attempts to cover popular songs of the day ("Close To You", It's Not Easy Being Green", "Leaving On A Jet Plane"). These are recordings that even the most devoted Sinatra-philes collect for the sake of completing a collection only, and a stark contrast to the masterful work with Jobim on the album's "A" side. "Wave" also appeared on the Reprise box set and of course of the "Complete Reprise Recordings" suitcase collection.
Critic Will Friedwald, who may have written more about Sinatra's body of work than anyone, praised his recordings with Jobim as having a "flexibility and delicacy, as if they could be blown about by a soft Brazilian breeze". In any case, the Sinatra/Jobim sessions certainly rank among the finest vocal work of Sinatra's amazing career. - 18424
Jobim is considered the founding father of Bossa Nova, and certainly deserves a bulk of the credit for popularizing the genre in North America. His collaboration with Sinatra on a samba tinged album Francis Albert Sinatra and Antonio Carlos Jobim was a critical and commerical success. Sinatra had the highest respect for Jobim as an artist and liked him as a friend. He would try to work out the logistics for the two to record together at several points in his career, but it never came to pass.
"Wave", written by Jobim and arranged by Eumir Deodato, is arguably the best of all of the Sinatra/Jobim collaborations. It features some great singing by Sinatra, including perhaps the lowest notes ever recorded by "The Voice". Years later, during his periods of 'retirement' it is said that Sinatra would listen to "Wave" just to hear how good he sounds hitting the bass notes.
This song originally intended as the opening track of a second volume of Sinatra/Jobim collaborations, but it was never released as such. The story that has circulated over the years is that the Sinatra/Jobim album put on the back burner so that Reprise could release the concept album "Watertown" instead. As an commercial decision, it's tough to fathom the rationale if this is the case. "Watertown" sold fewer copies than any other Sinatra release on Reprise. Another story is that Sinatra himself nixed the release because he hated the cover art which featured the 'King of Swingers' wearing a windbreaker and standing in front of a Greyhound bus. Hard to blame him for disliking that image if this version of the story is true.
"Wave", along with the majority of the songs intended for the "Sinatra/Jobim" album finally surfaced on "Sinatra and Company" in 1970. The "b" side is some of Sinatra's ill-fated attempts to cover popular songs of the day ("Close To You", It's Not Easy Being Green", "Leaving On A Jet Plane"). These are recordings that even the most devoted Sinatra-philes collect for the sake of completing a collection only, and a stark contrast to the masterful work with Jobim on the album's "A" side. "Wave" also appeared on the Reprise box set and of course of the "Complete Reprise Recordings" suitcase collection.
Critic Will Friedwald, who may have written more about Sinatra's body of work than anyone, praised his recordings with Jobim as having a "flexibility and delicacy, as if they could be blown about by a soft Brazilian breeze". In any case, the Sinatra/Jobim sessions certainly rank among the finest vocal work of Sinatra's amazing career. - 18424
About the Author:
David Glisan is a freelance writer covering MMA and boxing as well as a published expert on music as diverse as heavy metal and jazz. He contributes to many MMA news websites and provides UFC news for mainstream sports broadcast and print media. He serves as the music and entertainment editor for The Savage Science, a website covering fight sports and heavy metal music.
posted by X - Men at
12:55 AM
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